{"id":39296,"date":"2022-05-04T14:22:46","date_gmt":"2022-05-04T05:22:46","guid":{"rendered":"https:\/\/timeandstyle.store\/staging\/en\/?p=39296"},"modified":"2025-09-08T11:58:17","modified_gmt":"2025-09-08T02:58:17","slug":"mutual-projection-haruka-hirai-exhibition","status":"publish","type":"post","link":"https:\/\/timeandstyle.store\/staging\/en\/mutual-projection-haruka-hirai-exhibition\/","title":{"rendered":"Mutual projection – Haruka Hirai exhibition"},"content":{"rendered":"\n

Mutual projection<\/strong><\/p>\n\n\n\n

Haruka Hirai\u3000exhibition<\/strong><\/p>\n\n\n\n

19th<\/sup> May \u2013 19th<\/sup> June 2022<\/strong><\/p>\n\n\n\n

Time & Style Amsterdam<\/a><\/strong><\/p>\n\n\n\n

\n\n\n\n
\"\"<\/figure>\n\n\n\n

In my recent work, I have been working with the idea of a system that evokes the illusions occuring through the use of painted installations.<\/p>\n\n\n\n

This exhibition represents an installation using series of paintings made on wooden panels that fold in half instead of using a regular canvas. On these panels I applied canvas painted with acrylic paint. The form of the wooden panels and the images painted on them are directly inspired by two triangles formed when the corners of a piece of paper, such as books and old stamps I collected in Germany, are folded. By folding the pages, the page numbers and images are rotated 90 degrees and overlap, creating unintended images.<\/p>\n\n\n\n

The variety of images that emerge through this simple operation may be described as the essence of collage-like thinking. The images created here are generated endlessly and semi-automatically, as I abandon the manipulation of composition. This allows the artist to focus on the act of painting without being bound by the principles of image generation. In other words, this is an attempt to separate the \u201cwhat\u201d from the \u201chow\u201dwhen painting.<\/p>\n\n\n\n

Along with the installation, I have created a book limited to one copy in which I\u2019ve collected motifs and sources generated in the process of creating works. From the perspective of the work\u2019s concept of \u201cexamining the drawing-like and collage-like process while redistributing it on the plane, in space, and in time,\u201dit is my intention to place equal importance on the experience of the actual and printed work.<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n\n\n\n
<\/div>\n\n\n\n

Profile<\/strong><\/p>\n\n\n\n

1985  Born in Aichi, Japan<\/p>\n\n\n\n

Lives and works in Berlin, Germany<\/p>\n\n\n\n

–<\/p>\n\n\n\n

\uff3bEducation\uff3d<\/p>\n\n\n\n

2014-2016 the State Academy of Fine Arts, Karlsruhe<\/p>\n\n\n\n

2010  MFA, Tokyo University of the Arts, Tokyo <\/p>\n\n\n\n

2008  BFA, Aichi University of the Arts, Aichi<\/p>\n\n\n\n

–<\/p>\n\n\n\n

\uff3bSolo exhibitions\uff3d<\/p>\n\n\n\n

2021  Fluid, TIME&STYLE Amsterdam, Amsterdam<\/p>\n\n\n\n

2018  Part2:Bookmark<\/em>, Galerie Martin Mertens, Berlin<\/p>\n\n\n\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Part1:Superimpose<\/em>, Galerie Martin Mertens, Berlin<\/p>\n\n\n\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Pagination<\/em>, Luis Leu, Karlsruhe<\/p>\n\n\n\n

2013  Gallery Anri, Aichi<\/p>\n\n\n\n

2011  Close in Pages<\/em>, Gallery Anri, Aichi<\/p>\n\n\n\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Paper on Paper<\/em>, florlist_gallery N, Aichi<\/p>\n\n\n\n

–<\/p>\n\n\n\n

\uff3bGroup exhibitions\uff3d<\/p>\n\n\n\n

2019 \u00a0fun with flowers<\/em>, Orgelfabrik Durlach, Karlsruhe<\/p>\n\n\n\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Chronicle<\/em>,\u00a0Projektraum (Kunstquartier Bethanien), Berlin<\/p>\n\n\n\n

2018 \u00a013+13\u00a0warten wechseln\u00a0warten\u00a0wechseln<\/em>, EP contemporary, Berlin<\/p>\n\n\n\n

2016  M\u00e4dchen 62<\/em>, Villa Kolb, Karlsruhe<\/p>\n\n\n\n

           Sommer Exhibition 2016<\/em>,  the State Academy of Fine Arts, Karlsruhe<\/p>\n\n\n\n

2015  Inner History<\/em>, iGallery, Tokyo<\/p>\n\n\n\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 JDJHH<\/em>, Mucharaum (the State Academy of Fine Arts), Karlsruhe<\/p>\n\n\n\n

2014  Mother and Father<\/em>, TALION GALLERY, Tokyo<\/p>\n\n\n\n

2013  KAIGA-NO-HADO 2013 -Part2-<\/em>, Art Gallery in Mitsukoshi LTD, Aichi <\/p>\n\n\n\n

2012  KAIGA-NO-HADO 2012 -Part2-<\/em>, Art Gallery in Mitsukoshi LTD, Aichi<\/p>\n\n\n\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 DAIGAKU-KAIGA<\/em>, Akibatamabi 21, Tokyo<\/p>\n\n\n\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 The 11th Gunma Biennale for Young Artists<\/em>, The Museum of Modern Art Gunma, Gunma\u00a0<\/p>\n\n\n\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 N-TEN<\/em>\u00a0(Exhibition N), Art Space X, Aichi Art Center, Aichi<\/p>\n\n\n\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 SCENE 2<\/em>, TIME & STYLE MIDTOWN, Tokyo<\/p>\n\n\n\n

2011  KAIGA-NO-HADO 2011 -Part2-<\/em>, Art Gallery in Mitsukoshi LTD, Aichi <\/p>\n\n\n\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Outline 2<\/em>, KAGIYA Buiding, Shizuoka \/ florlist_gallery N, Aichi<\/p>\n\n\n\n

2010  Kiryu Saien 16<\/em>, Bakery Cafe RENGA in the Former Kanaya Residence, Gunma <\/p>\n\n\n\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Art Award Tokyo Morunouchi 2010<\/em>, Gyoko-dori Underground Gallery, Tokyo<\/p>\n\n\n\n

2009  International Workshop of Contemporary Art \u201cContemporary Drawing Exhibition -Views-\u201c<\/em>,<\/p>\n\n\n\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Chinretsukan Gallery, Tokyo University of the Arts, Tokyo<\/p>\n\n\n\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 YUKASHITA Electric<\/em>, GENDAI-HEIGHTS Gallery Den, Tokyo<\/p>\n\n\n\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 7 LAB.<\/em>, University Hall 2F Gallery, Tokyo University of the Arts, Tokyo<\/p>\n\n\n\n

2007 \u00a0The 5th Haruhi Painting Biennale<\/em>, Kiyosu City Haruhi Art Museum, Aichi<\/p>\n\n\n\n

– <\/p>\n\n\n\n

\uff3bAward and Grants\uff3d<\/p>\n\n\n\n

2022 \u00a0Arts and Culture Grant,\u00a0 \u00a0Nomura Foundation<\/p>\n\n\n\n

2021 \u00a0Arts and Culture Grant,\u00a0 \u00a0Nomura Foundation<\/p>\n\n\n\n

2017  Overseas Study Program for Artists, Agency for Cultural Affairs, Japanese Government<\/p>\n\n\n\n

2014  DAAD (German Academic Exchange Service) Scholarship<\/p>\n\n\n\n

2009  HOLBEIN Scholarship, HOLBEIN Works, Ltd., Japan<\/p>\n\n\n\n

2007  Incentive prize, The 5th Haruhi Painting Biennale<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n\n\n\n
<\/div>\n\n\n\n

Haruka Hirai official site<\/strong><\/p>\n\n\n\n

https:\/\/www.harukahirai.com\/<\/a><\/p>\n\n\n\n

<\/div>\n\n\n\n
<\/div>\n\n\n\n
\n\n\n\n
\"\"<\/figure>\n","protected":false},"excerpt":{"rendered":"

Mutual projection Haruka Hirai\u3000exhibition 19th May \u2013 19th June 2022 Time & Style Amsterdam In my recent work, I have been working with the idea of a system that evokes the illusions occuring through the use of painted installations. This exhibition represents an installation using series of paintings made on wooden panels that fold in … Read more<\/a><\/p>\n","protected":false},"author":20,"featured_media":67998,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_uag_custom_page_level_css":"","footnotes":""},"categories":[136],"tags":[],"class_list":["post-39296","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"uagb_featured_image_src":{"full":["https:\/\/timeandstyle.store\/staging\/en\/wp-content\/uploads\/2019\/11\/22_hirai_dm_i.webp",1001,660,false],"thumbnail":["https:\/\/timeandstyle.store\/staging\/en\/wp-content\/uploads\/2019\/11\/22_hirai_dm_i.webp",128,84,false],"medium":["https:\/\/timeandstyle.store\/staging\/en\/wp-content\/uploads\/2019\/11\/22_hirai_dm_i.webp",1001,660,false],"medium_large":["https:\/\/timeandstyle.store\/staging\/en\/wp-content\/uploads\/2019\/11\/22_hirai_dm_i-768x506.webp",768,506,true],"large":["https:\/\/timeandstyle.store\/staging\/en\/wp-content\/uploads\/2019\/11\/22_hirai_dm_i.webp",1001,660,false],"1536x1536":["https:\/\/timeandstyle.store\/staging\/en\/wp-content\/uploads\/2019\/11\/22_hirai_dm_i.webp",1001,660,false],"2048x2048":["https:\/\/timeandstyle.store\/staging\/en\/wp-content\/uploads\/2019\/11\/22_hirai_dm_i.webp",1001,660,false]},"uagb_author_info":{"display_name":"Myongha Song","author_link":"https:\/\/timeandstyle.store\/staging\/en\/author\/song\/"},"uagb_comment_info":0,"uagb_excerpt":"Mutual projection Haruka Hirai\u3000exhibition 19th May \u2013 19th June 2022 Time & Style Amsterdam In my recent work, I have been working with the idea of a system that evokes the illusions occuring through the use of painted installations. This exhibition represents an installation using series of paintings made on wooden panels that fold in…","_links":{"self":[{"href":"https:\/\/timeandstyle.store\/staging\/en\/wp-json\/wp\/v2\/posts\/39296","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/timeandstyle.store\/staging\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/timeandstyle.store\/staging\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/timeandstyle.store\/staging\/en\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/timeandstyle.store\/staging\/en\/wp-json\/wp\/v2\/comments?post=39296"}],"version-history":[{"count":16,"href":"https:\/\/timeandstyle.store\/staging\/en\/wp-json\/wp\/v2\/posts\/39296\/revisions"}],"predecessor-version":[{"id":39324,"href":"https:\/\/timeandstyle.store\/staging\/en\/wp-json\/wp\/v2\/posts\/39296\/revisions\/39324"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/timeandstyle.store\/staging\/en\/wp-json\/wp\/v2\/media\/67998"}],"wp:attachment":[{"href":"https:\/\/timeandstyle.store\/staging\/en\/wp-json\/wp\/v2\/media?parent=39296"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/timeandstyle.store\/staging\/en\/wp-json\/wp\/v2\/categories?post=39296"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/timeandstyle.store\/staging\/en\/wp-json\/wp\/v2\/tags?post=39296"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}